Night457 wrote: ↑Thu Apr 20, 2023 3:25 pmSO the theatrical cut was allowed by Ridley and company to have an open matte presentation on the web, but the director's cut which was only available on home media was released in a cinematic aspect ratio. Oh Ridley, you nutter you!
That's some dedicated fan work making the hybrid, but I tend to find changing aspect ratios distracting myself.
Indeed!
Although I’m not entirely sure how involved my man Ridley was with the BluRay release. Maybe the distributor messed up?
To be fair, even many directors maybe don’t think much about things like aspect ratio, openmatte etc., my point is openmatte web-dl‘s are still kind of a speciality and something Cineasts go after.
my original comment was about a German hybrid version of Kingdom-of-Heaven where as far as I understand it’s „simply“ scenes from different releases cut together.
To me it looks like the following release on rutracker actually did what @David was describing: using some kind of AutoOverlay plugin etc:
Translated from rutracker:
I have a lot of respect for the craziness of people that do this kind of detailed report lol:
https://rutracker.org/forum/viewtopic.php?t=5929807
Additional information: The hybrid was obtained by automatically applying the widescreen BD Remux (2.34:1) over HDTV (16:9) by the AutoOverlay plugin. The logo has been removed using WEB-DL. The color of the hybrid is averaged between HDTV and WEB-DL. Approximately 10 minutes of Open Matte scenes of the theatrical version had to be removed during the editing of this version of the film.
The Duplicate track with inserts has been improved (duplicate translation has been added in several scenes)
https://www.movie-censorship.com/report.php?ID=3097